Located in a Haussmannian building erected in 1860, GRAMME took great care to refurbish its imposing masonry construction in consultation with Les Architectes des Bâtiments de France, harmoniously juxtaposing the stone-clad pillars and exposed masonry walls and vaults with a minimalist design language of contemporary sophistication. Underpinning the team’s intervention is an eclectically curated palette of ‘sculptural’ materials - cut stone carefully selected in relation to the existing building fabric, walnut, ceramic, mineral resin and frosted glass – that have been artfully crafted into bespoke furnishings that double as sculptural artefacts. On the ground floor, the softly curved volume of the walnut reception counter echoes the voluptuous shapes of the walnut walls gently embracing a central pillar and the custom-designed armchairs and sofa upholstered in cream-coloured bouclé fabric. In contrast, glossy white moulded ceramic consoles, shelves and niches, which have been painted over with a square grid in blue or red, add a dash of crisp graphic playfulness, while maintaining the prevailing aesthetic of rounded forms. Cubic pedestals in metal and wood on the other hand reflect the rectilinear geometry of the stone pillars. The subtle mix of rounded and rectilinear forms, and rough and polished textures is carried on throughout the first and basement floors, as is the presence of beautifully crafted furnishings like the walnut worktops and walnut and frosted glass bookcases that have been custom-designed to perfectly fit into the age-old building’s irregular masonry structure. Impossibly thin steel banisters, illuminated half-moon panels, curved linear floor lamps, and minimalist tables and consoles in blue melamine are just some of the bespoke elements that subtly infuse the century-and-a-half-old premises with a sense of contemporary elegance and timeless appeal.